The Woman has been a central theme in the work of Master Fernando Botero. From the late 1940s, when Botero started his artistic career, to the present, the figure of the Woman has been a permanent obsession that emerges regularly in his canvases and sculptures. As the artist himself has stated, his work revolves around exuberance, voluptuousness, eroticism and sensuality as a way to provide pleasure to the viewer and, thus, to celebrate life through art. As such, the female body has been a constant inspiration for the artist, not only as a paradigm of beauty, but as a model for plastic experimentation.
- Private collection in the United States of America
- Acquired directly by Artist
Literature
Many of the female portraits made by Botero are figments of his imagination, based on a
nostalgic remembrance of his childhood and adolescence in his native Antioquia,
Colombia. This artwork, “Woman in Blue Dress”, embodies one of those intimate
memories, as suggested in the miniature self-portrait of the artist the woman carries in her
necklace, while being simultaneously a classic exploration of volume and sensuality, which
constitutes the essence of the great Colombian Master’s art. The composition, simple and
delicate as well as balanced and complex, reminds us of key female portraits of great
painters that Botero deeply admires, such as Titian and Ingres. The colors in the painting,
that playfully revolve around different shades of blue, manifest the influence the Mexican
popular folk art and the Mexican artistic tradition of the 20th century had on the artist
when he lived there in the 1950’s.
As Master Botero himself has said: "If women are often the subject of my paintings, this is
because they have been, for centuries, one of the main themes of painting. What really
guides me, above all, when I sculpt or paint men, women, animals or objects, is the classic
aspect of beings and things. Plasticity exists indiscriminately in a woman, in a still life or in
a landscape".